There are about 25 instances of cursing, profanity and vulgarity, including three occurrences of s*. No one is killed or seriously injured in the film. At one point, Dixon slams Viktor into a copy machine. Some confrontations, as airport security forces arrest and detain people. There’s some TV footage of the revolution in Viktor’s homeland, but nothing explicit. Other than seeing Viktor cross himself before eating, there’s no reference to faith in the film, either positive or negative.) ![]() (Of course, what she really needs is Jesus. She warms up to Viktor’s innocence, but even his influence can only do so much. She’s aware of her own character flaws, but unable to fix them. Just takes a little digging sometimes.Īmelia is a tragic character, involved with a married man as one of a series of self-destructive relationships. Eventually though, we see that he, like everyone else, has both a good and a bad side. However, although he’ll never cheat the rules in Viktor’s favor, he IS willing to try to coax Viktor into breaking the rules, so Dixon can get rid of him and make him someone else’s problem. He’s good at spotting and arresting drug smugglers and other unsavory characters, and in his dealings with Viktor he’s for the most part just doing his job. ![]() Each character is slowly developed, and we come to care about them as we learn their backstories.ĭixon is the primary villain. And of course Viktor’s eventual love interest, flight attendant Amelia Warren (Catherine Zeta-Jones). Main characters include security assistant Ray Thurman (Barry Shebaka Henly)Ĭustodian Gupta (Kamar Pallana), baggage handler Joe Mulroy (Chi McBride), general gofer Enrique Cruz (Diego Luna), and customs official Dolores Torres (Zöe Saldana) whom Cruz has a crush on. Some airport employees are at first rude to or suspicious of Viktor, but eventually he wins many friends. The head of security, Frank Dixon ( Stanley Tucci) wants to get rid of Viktor, but his hands are tied. He speaks little English, and suffers setbacks and indignities. He’s trapped in the International Flight holding area at JFK. He can’t go home, and he can’t leave the airport. But while he was in the air, his country became embroiled in a civil war and his passport isn’t valid until the conflict is resolved and the United States recognizes the new government. Viktor Navorski (Hanks) is a tourist from Krakozhia, visiting New York City. More geared toward adults and mature teens, but relatively clean in content. “The Terminal” is primarily a character study with a number of interesting people. And when he’s directing Tom Hanks, good things tend to happen. Steven Spielberg has a unique touch, regardless what kind of film he makes. But Viktor has long worn out his welcome with airport official Frank Dixon ( Stanley Tucci), who considers him a bureaucratic glitch, a problem he cannot control but wants desperately to erase.ĭuring his accidental exile, Viktor encounters and befriends an array of airport employees, some of whom aren’t very far removed from their own assimilation to America.” ![]() Stranded at Kennedy Airport with a passport from nowhere, he is unauthorized to actually enter the United States and must improvise his days and nights in the terminal’s international transit lounge until the war at home is over.Īs the weeks and months stretch on, Viktor finds the compressed universe of the terminal to be a richly complex world of absurdity, generosity, ambition, amusement, status, serendipity and even romance with a beautiful flight attendant named Amelia ( Catherine Zeta-Jones). Here’s what the distributor says about their film: “Viktor Navorski ( Tom Hanks) is a visitor to New York from Eastern Europe, whose homeland erupts in a fiery coup while he is in the air en route to America.
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